Externalized memory had always proceeded by contractions, summaries, reductions, selections, breaks in flow, as well as by organization, classification, boiling down. Card catalogues reduced thousands of works to a few key notions; tables of contents contracted the hundreds of pages in a given book. The sign itself was the first abbreviation of experience. An epic stitched of words was an abbreviation of the war, the long years of which were reduced to a few nights of recitation; the written text that recorded the epic was a contraction of the oral narration which pushed aside its sensory richness, melody, life in a thousand details. In accumulating, every level of abbreviation reconstituted an infinite flow, a new dilation that would be contracted in its turn. From the plurality of pages to the index and the table of contents; from the plurality of books to card catalogues.

The abbreviated elements were further arranged, situated...

• theatre / drama
• Shakespeare
• subjectification
• language
• feminism
• gender

– In what way are you a communist – since we need to define this: someone who is convinced that a totally different form of organization of communal life would be good for the human race, –

– Isn’t that equally true of monarchists and leaders of sects?

– ...with a focus on justice.

– but the people should behave differently, right?

– They should be totally different.

– Are you not simply a misanthropist?

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– No, because there are people that I like, very much even. And I understand all the less why most people feel compelled to be so nasty.

– Most people don’t seem to be quite as bothered by this as you are.

– Oh really? In my perception, most people are pretty bothered by anything that is different than themselves. That is why we need rules that define how to behave toward people we can’t stand.

– You have just been suffering in a...

The curators were probably worried that someone would stumble carelessly up the stairs while looking at the exhibits—could I simply have gone past the first object at the bottom? Number 1, “Formless Veil, curtain …” Must have been attached to the wall just between the entrance and exitus … “My dear colleague …!” and staircase. “… curtain, height 310 cm, width 475 cm.” I must already have seen it in the previous section, wall-high thing. What I’m overlooking, it occurs to me, is what’s essential. Which is the simplest form of analysis. I should actually go back down the gently curving stone stairs. But it’s over. Before me the Anatomical Theatre opens up along a last flat landing. Lights …

Set into the rectangular space is the oval of a gleaming brown wooden balustrade. From here you look down. Someone is whispering. The funnel of the auditorium declines in three narrowing...

• museum
• contemporary art
• body
• exhibition